The Morning Guy by Mark W. Gray

The Morning Guy, (Gray, 2003) directed, produced and written by Mark W. Gray, is a utterly film depicting the hot end of a espousals in the matter of minutes. From a first outside descry of the couples home, nothing seems adrift. Their cookie-cuter bungalow, average gondola and proudly displayed American sign imply a ace of normalcy, though this first low is quickly proven a misconception when the dreaded aurora misgiving time goes off. From there, the female subject reveals an inability to cope with the save characters unique behaviour. The man unrelentingly acts as a morning radio broadcast, integrating it into his insouciant routine. Throughout the short film, fast-ups be utilized not exactly to bring greater heart and soul to the objects shop windowd but for the overall center of mental illness in daily life as well. This is done through a airless up of the dispirit quantify, the toothbrush and the cup coffee.\nIn the sixth scene, a logical argument shot captures a photo frame of a unify couple and an alert clock in a close up. To begin, though seemingly mundane, these 2 objects are essential to the temporary hookup and foreshadow the following narrative. The stick out frame introduces both chief(prenominal) characters to the audience as a happily married couple. The photographic camera movement chosen to showcase this frame is a pitch, put down from top to bottom, therefore implying a joyful beginning and a slow descent into dysphoria. Furthermore, the tilt ending on the alarm clock is important to agate line be reach it foreshadows that the clock, symbolic of the male characters behaviour, is the cause of their marriage ending. Secondly, the sort outing Mise-en-scÃne brings the viewers attention to the alarm clock time. A glimmer of light hits the clock to showcase the changing time, from 6:59 AM to 7:00 AM, and thus forcing the viewer to catch this key detail. Thirdly, in relation to the time changing, the close up of the clock allows for a s...